17th-Century Floral Marquetry Candle Stand
Circa 1675-1690
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17th-Century Floral Marquetry Candle Stand, Circa 1675-1690
In 2017 the Metropolitan Museum of Art in New York decided to auction a number of pieces of exceptional merit, too include this – IMPORTANT, exceptional, unique and extremely rare marquetry candle stand C.1675-1690.
The octagonal Paduke banded marquetry top depicts an exquisitely executed parrot to the centre, surrounded by fine spring flowers in holly, sycamore and tropical hardwoods. The vibrant green stained leaves of bone bring such vibrancy and colour to the marquetry, a detail most likely adopted from the influx of Huguenot cabinet makers in England, in the 17th century. Supported by a figured walnut six-sided tapering column, terminating on scroll legs of walnut, with original inverted walnut finial. The top is fixed to the base with its original hand-cut wooden screw thread.
Letter as received from seller – “This auction item was purchased February 19th, 2017 from our gallery at 5644 Telegraph Ave, Oakland, CA 94609 as lot 2098 in sale #581. The piece was property from the Metropolitan Museum of Art. The description and provenance details as they were listed in the February catalogue reads as follows “English walnut, ebony, satinwood and ivory occasional table, signed John Watson, circa 1700, having an octagonal top with a floral decorated border centering a parrot, above the turned standard and rising on a later tripod base, with inswept feet, 35″h x 14″dia. Property of the Metropolitan Museum of Art, Sold to Benefit the Acquisitions Fund.”
We did not believe at the time the stand was later and have authenticated the base which is period circa 1700 and original to the top. The accreditation has the backing of our colleague Jim Broughton (Chairman of the British Antique Furniture Restorers Association) and Howard Walwyn (British Antiques Dealers Association member and masterpiece dealer).
The stand has also been exhibited at vetted antiques fair Olympia, in summer 2018.
We stand by our accreditation that the stand is 100% period and original to the top.
The underside is stamped John Watson 8 N…… and we cannot make out the rest. It is most likely that John was not the maker but the once custodian of the object and adjacent is most likely an inventory stamp. There is also 11.175.10 in red, which is the museum inventory number.
Condition
The piece is in exceptional original condition with striking original colour. Minor conservation to preserve.
Provenance
Literature
English Furniture 1660-1714′, by Adam Bowett, page 121-124, 279
A table of the same period and notably similar marquetry – Adam Bowett “English Furniture 1660 -1714” Pl 4-21, which was probably supplied by the London cabinet maker Thomas Pistor to James Grahme, a friend and courtier to James, Duke of York (later James II in 1684).
Dimensions
PREVIOUSLY SOLD
George III Walnut and Sycamore Comb-back Windsor Chair
The chair is of generous proportions having a large ‘saddle’ style seat carved from a single piece of walnut, surrounded by a gallery back, steam bent horseshoe armrest and solid cabriole legs.
William and Mary Marquetry Chest of Drawers
A William and Mary walnut floral marquetry chest, circa 1690. The rectangular ogee moulded top with central banded oval inlaid with spring flowers, birds and scrolls of acanthus, on ebony ground.
Pair of George III Mahogany Chairs
A fabulous pair of George III mahogany chairs in original ‘country house’ condition. The carved cresting rail is decorated with sweeping softly carved acanthus leaves and centred by a cartouche.
17th-Century William and Mary Olive Oyster Chest of Drawers on Stand
A superb example of well-chosen hand-cut olive oyster veneers, combined with the finesse of a highly skilled craftsman, from the reign of William & Mary (1689-1702).
George I Gilt Gesso Mirror
IMPORTANT DESIGN – A fine early 18th-century gilt gesso mirror of generous proportions retaining its original shaped and bevelled mirror plate. The frame expresses great freedom through its carving with scrolling leaves adorning the frame centred by an elaborate three-dimensional cartouche.
George III Mahogany Wine Cooler, Cellarette
Superb George III mahogany wine cooler or cellarette on stand. The cellarette is in fabulous original condition with a lovely rich patina. Lovely well-patinated flame of mahogany to the top, with a line rope inlayed stringing of holly and box. Original led lined interior divided into four sections.
George III Walnut and Sycamore Comb-back Windsor Chair
The chair is of generous proportions having a large ‘saddle’ style seat carved from a single piece of walnut, surrounded by a gallery back, steam bent horseshoe armrest and solid cabriole legs.
William and Mary Marquetry Chest of Drawers
A William and Mary walnut floral marquetry chest, circa 1690. The rectangular ogee moulded top with central banded oval inlaid with spring flowers, birds and scrolls of acanthus, on ebony ground.
Pair of George III Mahogany Chairs
A fabulous pair of George III mahogany chairs in original ‘country house’ condition. The carved cresting rail is decorated with sweeping softly carved acanthus leaves and centred by a cartouche.
17th-Century William and Mary Olive Oyster Chest of Drawers on Stand
A superb example of well-chosen hand-cut olive oyster veneers, combined with the finesse of a highly skilled craftsman, from the reign of William & Mary (1689-1702).
George I Gilt Gesso Mirror
IMPORTANT DESIGN – A fine early 18th-century gilt gesso mirror of generous proportions retaining its original shaped and bevelled mirror plate. The frame expresses great freedom through its carving with scrolling leaves adorning the frame centred by an elaborate three-dimensional cartouche.
George III Mahogany Wine Cooler, Cellarette
Superb George III mahogany wine cooler or cellarette on stand. The cellarette is in fabulous original condition with a lovely rich patina. Lovely well-patinated flame of mahogany to the top, with a line rope inlayed stringing of holly and box. Original led lined interior divided into four sections.
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