18th Century George III Mahogany Wine Cooler or Cellarette 1
18th Century George III Mahogany Wine Cooler or Cellarette 2
18th Century George III Mahogany Wine Cooler or Cellarette 3
18th Century George III Mahogany Wine Cooler or Cellarette 4
18th Century George III Mahogany Wine Cooler or Cellarette 5
18th Century George III Mahogany Wine Cooler or Cellarette 6
18th Century George III Mahogany Wine Cooler or Cellarette-1
18th Century George III Mahogany Wine Cooler or Cellarette-2
18th Century George III Mahogany Wine Cooler or Cellarette-3
18th Century George III Mahogany Wine Cooler or Cellarette-4
18th Century George III Mahogany Wine Cooler or Cellarette-5
18th Century George III Mahogany Wine Cooler or Cellarette-6
previous arrow
next arrow
18th Century George III Mahogany Wine Cooler or Cellarette-1
18th Century George III Mahogany Wine Cooler or Cellarette-2
18th Century George III Mahogany Wine Cooler or Cellarette-3
18th Century George III Mahogany Wine Cooler or Cellarette-4
18th Century George III Mahogany Wine Cooler or Cellarette-5
18th Century George III Mahogany Wine Cooler or Cellarette-6
previous arrow
next arrow

18th Century George III Mahogany Wine Cooler or Cellarette

£4,600

Request Information

Follow Us

18th Century George III Mahogany Wine Cooler or Cellarette

A fine and well-figured George III mahogany hexagonal wine cooler or cellarette on the original stand, C. 1770 England. In the manner of Thomas Chippendale.

There is always something charming about this sort of cellarette and its hexagonal shape is incredibly versatile. It is a great piece for a drawing-room, dining room or hall, working well as a lamp table, wine table or on as a small pier table with a vase.

The original leather-bound casters raise the reeded mahogany legs, each with c-scroll ears joining the original moulded superstructure of the stand.

The cellarette itself is fitted with the original brass strapwork to the lower and upper of the figured mahogany body and retains the original axe head carrying handles to the sides.

The top is fitted with a well-chosen piece of mahogany, brass-bound and centred with the original axe head handle.

There is a wine cooler of similar form by Thomas Chippendale at Paxton House. Illustrated in Christopher Gilberts ‘The Life and Works of Thomas Chippendale, page 79, plate:124.

Condition

Good. Wear consistent with age and use.

Dimensions

Height: 29.53 in. (75 cm)
Width: 16.93 in. (43 cm)
Depth: 16.93 in. (43 cm)

PREVIOUSLY SOLD

George III Mahogany Tripod or Snap

George III Mahogany Tripod or Snap

George III Mahogany Tripod Table or Snap-Top Table with Birdcage circa 1770. England SOLD Follow UsGeorge III Mahogany Tripod or Snap-Top Table with Birdcage, circa 1770. England Of solid mahogany, the gun barrel and one-piece top are raised...

George III Mahogany Linen Press Wardrobe

George III Mahogany Linen Press Wardrobe

George III Mahogany Linen Press Wardrobe 1760 England SoldGeorge III Mahogany Linen Press Wardrobe A fine George III mahogany linen press in outstanding original condition. The press was obviously made to exceed with the cabinetmaker using...

George III Mahogany Tripod or Snap

George III Mahogany Tripod or Snap

George III Mahogany Tripod Table or Snap-Top Table with Birdcage circa 1770. England SOLD Follow UsGeorge III Mahogany Tripod or Snap-Top Table with Birdcage, circa 1770. England Of solid mahogany, the gun barrel and one-piece top are raised...

George III Mahogany Linen Press Wardrobe

George III Mahogany Linen Press Wardrobe

George III Mahogany Linen Press Wardrobe 1760 England SoldGeorge III Mahogany Linen Press Wardrobe A fine George III mahogany linen press in outstanding original condition. The press was obviously made to exceed with the cabinetmaker using...

YOU MAY ALSO LIKE

17th Century Figured Walnut and Seaweed Marquetry Lace Box

17th Century Figured Walnut and Seaweed Marquetry Lace Box

17th Century Figured Walnut and Seaweed Marquetry Lace Box £3,600 Follow Us17th Century Figured Walnut and Seaweed Marquetry Lace Box A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down -...

17th-Century Hague Clock Signed by Pieter Visbagh, circa 1675

17th-Century Hague Clock Signed by Pieter Visbagh, circa 1675

Small 17th Century Hague clock made c. 1675 by Pieter Visbagh, who was apprenticed by Salomon Coster. The latter made the first pendulum clock according to the instructions of Christiaan Huygens, the internationally renowned scientist who developed the idea of applying a pendulum to a clock movement.

Oil Painting of a Horse Standing Proud in Woodland

Oil Painting of a Horse Standing Proud in Woodland

Fine Art – Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream.

17th Century Figured Walnut and Seaweed Marquetry Lace Box

17th Century Figured Walnut and Seaweed Marquetry Lace Box

17th Century Figured Walnut and Seaweed Marquetry Lace Box £3,600 Follow Us17th Century Figured Walnut and Seaweed Marquetry Lace Box A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down -...

17th-Century Hague Clock Signed by Pieter Visbagh, circa 1675

17th-Century Hague Clock Signed by Pieter Visbagh, circa 1675

Small 17th Century Hague clock made c. 1675 by Pieter Visbagh, who was apprenticed by Salomon Coster. The latter made the first pendulum clock according to the instructions of Christiaan Huygens, the internationally renowned scientist who developed the idea of applying a pendulum to a clock movement.

Oil Painting of a Horse Standing Proud in Woodland

Oil Painting of a Horse Standing Proud in Woodland

Fine Art – Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream.

Pin It on Pinterest