18th-Century George III fitted miniature burr yew and satinwood chest attributed to Ince and Mayhew 1
miniature burr yew and satinwood chest
miniature burr yew and satinwood chest
18th-Century George III fitted miniature burr yew and satinwood chest attributed to Ince and Mayhew 2
miniature burr yew and satinwood chest
1-miniature burr yew and satinwood chest1-sold
2-miniature burr yew and satinwood chest2
1-miniature burr yew and satinwood chest1
3-miniature burr yew and satinwood chest3
4-miniature burr yew and satinwood chest4
previous arrow
next arrow
1-miniature burr yew and satinwood chest1-sold
2-miniature burr yew and satinwood chest2
1-miniature burr yew and satinwood chest1
3-miniature burr yew and satinwood chest3
4-miniature burr yew and satinwood chest4
previous arrow
next arrow

18th-Century George III fitted miniature burr yew and satinwood chest attributed to Ince and Mayhew

1780 England

SOLD

Request Information

Follow Us

18th-Century George III fitted miniature burr yew and satinwood chest attributed to Ince and Mayhew

A perfectly proportioned miniature chest attributed to Ince and Mayhew. The miniature is of a style that thrived in the latter part of the 18th century, proving popular with nobility and the middle classes. I am not aware of another miniature chest thought to be by eminent makers.

The chest sits on four outswept feet below a line stringing of box and four ascending burr yew drawers each banded with a double box stringing, cross banded in tulip and retaining there original hand turned solid brass gilded knobs. The burr yew drawers are each dovetailed and fitted with mitred divides of a different layout, presumably for jewellery or collectables. The fiddle back satinwood sides retain there original gilt brass carrying handles.
The tulip, box and ebony banded, quarter veneered satinwood top, is centred by a burr yew oval, banded in tulip and a fine stringing of box and ebony.

Condition

Perfect original condition

Provenance

Witney Antiques 19, Private London collection

Literature

The ‘Pictorial Dictionary Of British 18th Century Furniture Design’ by Elizabeth White, page 184, plate 76.

Dimensions
Height10.50 inch(26.67 cm)
Width11.00 inch(27.94 cm)
Depth8.50 inch(21.59 cm)

PREVIOUSLY SOLD

George III Chippendale Period Mahogany Pie Crust Tray

George III Chippendale Period Mahogany Pie Crust Tray

A fine George III Chippendale period mahogany pie crust tray, circa 1770, England. Of circular form, with a carved and shaped edge. Alexander George Fine Antique sell 18th & 19th century antique English furniture.

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table. With the growth of trade and military power, the East India Company encouraged its British male employees to create a community with mixed ancestry. The company paid 15 silver rupees to the mother of any child born of such marriages.

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

When the most expensive timber of the 17th century met Thomas Pistor. There were, in fact, two cabinet-makers called Thomas Pistor, father and son, working for a period at the same time but at different premises. One or both are known to have made furniture of quality for Levens Hall.

George III Chippendale Period Mahogany Pie Crust Tray

George III Chippendale Period Mahogany Pie Crust Tray

A fine George III Chippendale period mahogany pie crust tray, circa 1770, England. Of circular form, with a carved and shaped edge. Alexander George Fine Antique sell 18th & 19th century antique English furniture.

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table. With the growth of trade and military power, the East India Company encouraged its British male employees to create a community with mixed ancestry. The company paid 15 silver rupees to the mother of any child born of such marriages.

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

When the most expensive timber of the 17th century met Thomas Pistor. There were, in fact, two cabinet-makers called Thomas Pistor, father and son, working for a period at the same time but at different premises. One or both are known to have made furniture of quality for Levens Hall.

YOU MAY ALSO LIKE

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford £14,000Follow Us17th Century Lantern Alarm Clock by Johannes Quelch, Oxford An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going...

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford

17th Century Lantern Alarm Clock by Johannes Quelch, Oxford £14,000Follow Us17th Century Lantern Alarm Clock by Johannes Quelch, Oxford An English 17th century lantern clock made of brass and iron, circa 1665-1670. The clock consists of going...

FOLLOW US ON INSTAGRAM

Pin It on Pinterest