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George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-1
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-2
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-3
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-4
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-5
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-6
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-7
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-8
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-9
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-10
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-11
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-12
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-13
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-14
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-15
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-16
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-17
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-18
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-19
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George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale

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George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale

This wonderful and original armchair of generous proportions dates from the middle of the 18th century and epitomises the Chippendale style, demonstrating the cross over from flamboyance to restrained beauty in a naturalistic and detailed form, circa 1760. England.

Raised on four solid mahogany legs out-swept to the back, each joined by boundary stretchers. The carved arms meet the large drop in seat frame seamlessly and with such elegance. The carved splat leads up from the moulded shoe with gothic arches centred by an illusion carving and French curves to the sides, seamlessly meeting with the similarly carved crest rail.

It should be noted that the age oxidized surfaces to this chair are wonderful and to find any piece from the period in original country house condition such as this is seldom seen.

The chair is covered in tanned brown leather.

Condition

Good. Wear consistent with age and use. Particularly fine colour and patina.

Dimensions

Height: 39.38 in. (100 cm)
Width: 24.41 in. (62 cm)
Depth: 20.48 in. (52 cm)
Seat Height: 18.51 in. (47 cm)

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When the most expensive timber of the 17th century met Thomas Pistor. There were, in fact, two cabinet-makers called Thomas Pistor, father and son, working for a period at the same time but at different premises. One or both are known to have made furniture of quality for Levens Hall.

George III Chippendale Period Mahogany Pie Crust Tray

George III Chippendale Period Mahogany Pie Crust Tray

A fine George III Chippendale period mahogany pie crust tray, circa 1770, England. Of circular form, with a carved and shaped edge. Alexander George Fine Antique sell 18th & 19th century antique English furniture.

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table

Solid Padauk Carved Anglo-Indian Card Table. With the growth of trade and military power, the East India Company encouraged its British male employees to create a community with mixed ancestry. The company paid 15 silver rupees to the mother of any child born of such marriages.

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

William and Mary Kingwood or ‘Princes’ wood oyster cabinet on chest

When the most expensive timber of the 17th century met Thomas Pistor. There were, in fact, two cabinet-makers called Thomas Pistor, father and son, working for a period at the same time but at different premises. One or both are known to have made furniture of quality for Levens Hall.

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