George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale 1
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale 2
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale 3
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-1
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-2
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-4
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-3
previous arrow
next arrow
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-1
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-2
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-4
George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale-3
previous arrow
next arrow

George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale

Sold

Request Information

Follow Us

George III 18th Century Mahogany Armchair in the Manner of Thomas Chippendale

This wonderful and original armchair from the mid-18th century epitomises the style demonstrating the cross over from flamboyance to restrained beauty in a more naturalistic and detailed form, circa 1750, England.

Raised on four solid mahogany legs, out-swept to the back and moulded to the front each is joined by boundary stretchers. The carved and shaped arms meet the large stuff over seat and terminate in fluid foliage. The splat is a marvel of design, homage to Thomas Chippendale. Leading up from the shoe an illusion carving terminates in a trefoil, whilst French curves rise upwards into gothic arches and scrolls of acanthus seamlessly meet with the similarly carved crest rail, centred by icicles.

It should be noted that the age oxidized surfaces to this chair are wonderful and to find any piece from the period in original country house condition such as this is seldom seen.

The chair is currently covered in a burgundy leather that was probably fitted towards the end of the 19th century. This can be changed to your specific requirements.

Condition

Good. Wear consistent with age and use.

Dimensions

Height: 39.38 in. (100 cm)
Width: 24.41 in. (62 cm)
Depth: 20.48 in. (52 cm)
Seat Height: 18.51 in. (47 cm)

PREVIOUSLY SOLD

William and Mary Marquetry Chest of Drawers

William and Mary Marquetry Chest of Drawers

A William and Mary walnut floral marquetry chest, circa 1690. The rectangular ogee moulded top with central banded oval inlaid with spring flowers, birds and scrolls of acanthus, on ebony ground.

Pair of George III Mahogany Chairs

Pair of George III Mahogany Chairs

A fabulous pair of George III mahogany chairs in original ‘country house’ condition. The carved cresting rail is decorated with sweeping softly carved acanthus leaves and centred by a cartouche.

George I Gilt Gesso Mirror

George I Gilt Gesso Mirror

IMPORTANT DESIGN – A fine early 18th-century gilt gesso mirror of generous proportions retaining its original shaped and bevelled mirror plate. The frame expresses great freedom through its carving with scrolling leaves adorning the frame centred by an elaborate three-dimensional cartouche.

William and Mary Marquetry Chest of Drawers

William and Mary Marquetry Chest of Drawers

A William and Mary walnut floral marquetry chest, circa 1690. The rectangular ogee moulded top with central banded oval inlaid with spring flowers, birds and scrolls of acanthus, on ebony ground.

Pair of George III Mahogany Chairs

Pair of George III Mahogany Chairs

A fabulous pair of George III mahogany chairs in original ‘country house’ condition. The carved cresting rail is decorated with sweeping softly carved acanthus leaves and centred by a cartouche.

George I Gilt Gesso Mirror

George I Gilt Gesso Mirror

IMPORTANT DESIGN – A fine early 18th-century gilt gesso mirror of generous proportions retaining its original shaped and bevelled mirror plate. The frame expresses great freedom through its carving with scrolling leaves adorning the frame centred by an elaborate three-dimensional cartouche.

YOU MAY ALSO LIKE

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750 SoldFollow UsGeorge II Gun Barrel Mahogany Tripod Table, circa 1740-1750 George II Gun Barrel Mahogany Tripod table. The well-figured top has a pie crust edge, resting on a gun...

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750

George II Gun Barrel Mahogany Tripod Table, circa 1740-1750 SoldFollow UsGeorge II Gun Barrel Mahogany Tripod Table, circa 1740-1750 George II Gun Barrel Mahogany Tripod table. The well-figured top has a pie crust edge, resting on a gun...

Pin It on Pinterest