Olive Oyster Marquetry Lace Box
17th Century Museum Grade William and Mary Olive Oyster Marquetry Lace Box 1
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17th Century Museum Grade William and Mary Olive Oyster Marquetry Lace Box

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17th Century Museum Grade William and Mary Olive Oyster Marquetry Lace Box

17th century Museum Grade William and Mary Olive Oyster Marquetry Lace box, C. 1670-1690. England

The ovolo-moulded and holly banded top is centred by an oval of marquetry depicting spring flowers bordered in oysters of olive finely strung to each side and quartered in a similar fashion, all on a ground of ebony.

The frieze is decorated to the face and each side with reserves of marquetry, olive oysters and figured olive, raised on a cross-grain convex moulding.

The box opens to reveal what appears to be the original red japanned wash.

Condition

Good. Wear consistent with age and use. Superb original condition. Minor conservations in line with age.

Dimensions

Height: 4.73 in. (12 cm)
Width: 21.26 in. (54 cm)
Depth: 16.15 in. (41 cm)

Literature

The box relates to a marquetry table housed in Levens Hall that was probably supplied by the London cabinet maker Thomas Pistor to James Graham, a friend and courtier to James, Duke of York (later James II). in 1684. Adam Bowett ‘English Furniture 1669-1714, From Charles II to Queen Anne’. Plate 4:20, Page: 116.

Percy MacQuoid ‘A History of English Furniture’ pl. 269, pg. 126

The Victoria and Albert Museum – Accession Number: W.51-1925.

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The Oak Interior – An extremely rare Charles II pewter tankard dated 1666. The tankard bears a crested stamp dated 1666 to the inside of the base. The flat caddy and ringed lid are stamped to the top with four hallmarks of the period and the initials C B. The beautifully crafted handle terminates at a bifurcated rams horn hinged thumb piece and the vessel sits on a multiple ringed and flared base.

17th-Century Olive Oyster Lace Box

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Charming and original 12” olive oyster lace box, circa 1680-90. It is most likely that this gorgeous piece was commissioned during the short reign of William and Mary (1689-1702). This was a great time in British furniture design with some of the most notable pieces to date being commissioned.

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