A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 1
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 2
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 3
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 4
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 5
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 6
A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, Circa: 1860 7
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A Rare And Unusual 19th-Century Carriage Clock

Signed Devienne Lamy A St Quentin, circa: 1860

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A Rare And Unusual 19th-Century Carriage Clock Signed Devienne Lamy A St Quentin, circa: 1860

The gorge case has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring with quarter-hour, five-minute and minute divisions.

The time is indicated by a pair of blued-steel Breguet hands. The spring-driven, eight-day movement is constructed between plates. It consists of going and striking trains, as well as alarm. The going train has English lever escapement with hairspring balance on a silvered platform. It can be adjusted by a regulator pin which can be seen through the window in the top and is accessible through the back door. The most unusual rack striking train indicates the hours fully on the hour and the half hour by two double strokes on two gongs, followed by the hours in full (demie grande sonnerie). There is a lever in the bottom of the clock to set the striking for SILENT or STRIKING. In addition, there is a repeat button on the top front side, with which the hour last struck as well as the quarter hours can be repeated at all times.

Features
Eight-day movement
Original silvered platform escapement
Repeat button
Strike/silent function in the bottom
Glazed all around

Attribution
SIGNED DEVIENNE LAMY A ST QUENTIN

Condition

Superb original condition throughout

Provenance

Private Belgium collection

Literature
Dimensions
H 17.5 cm x W 10 cm x D 9 cm

PREVIOUSLY SOLD

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

The gilt-brass, so-called corniche case has bevelled glass panels on all sides so that the movement is entirely visible. It is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes

William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes

The ebony-veneered case has a so-called domed top, a design which became popular in the Charles II period (from 1675 onwards). The case is adorned with repousse brass ornaments and rests on gilt-brass bun feet. It is surmounted by a brass carrying handle of typical shape.

19th-Century Carriage Clock signed Charles Frodsham, London

19th-Century Carriage Clock signed Charles Frodsham, London

The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

The gilt-brass, so-called corniche case has bevelled glass panels on all sides so that the movement is entirely visible. It is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes

William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes

The ebony-veneered case has a so-called domed top, a design which became popular in the Charles II period (from 1675 onwards). The case is adorned with repousse brass ornaments and rests on gilt-brass bun feet. It is surmounted by a brass carrying handle of typical shape.

19th-Century Carriage Clock signed Charles Frodsham, London

19th-Century Carriage Clock signed Charles Frodsham, London

The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

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