19th-Century Quarter-striking Carriage Clock by Leroy, Paris
1880 French
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19th-Century Quarter-striking Carriage Clock by Leroy, Paris
The gilt-brass, so-called corniche case has bevelled glass panels on all sides so that the movement is entirely visible. It is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions. It is signed by the maker in the following manner:
LEROY.
A PARIS
The time is indicated by a pair of blued-steel Breguet hands. The spring-driven, eight-day movement is constructed between plates. It consists of going and
Features
• Eight-day movement
• Original silvered platform escapement
• Repeat button
• Gilded
• Glazed all around
Condition
Original excellent condition
Provenance
Literature
Dimensions
PREVIOUSLY SOLD
Portrait of a Nobleman standing small three-quarter length in Armour
Follower of Caspar Netscher (1639-1684) – Oil on canvas. Portrait of a Nobleman, standing small three-quarter-length, in armour, wearing the Order of Joanita and holding a commander’s baton. Provenance – Ex Collection Earl of Rosebery.
Large Mahogany 18th-Century Dial Clock, William Nicoll, London
The solid mahogany case has a moulded mahogany glazed door, which can be locked on the left-hand side. The original rectangular saltbox is permanently attached to the front and has doors to the side and the bottom.
19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque (1813-1894)
19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque (1813-1894) 1813 to 1894 England SOLDFollow Us19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque...
William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes
The ebony-veneered case has a so-called domed top, a design which became popular in the Charles II period (from 1675 onwards). The case is adorned with repousse brass ornaments and rests on gilt-brass bun feet. It is surmounted by a brass carrying handle of typical shape.
17th-Century Ebony Veneered Table Clock with Alarm and Pull Quarter Repeat
A magnificent sprung driven table clock by respected London maker George Etherington. The late 17th century, ebony- veneered table clock with alarm and pull quarter repeat on two bells, signed on the chapter ring Etherington London, and on the backplate Geo Etherington LONDON, c. 1695-1700.
19th-Century Carriage Clock signed Charles Frodsham, London
The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.
Portrait of a Nobleman standing small three-quarter length in Armour
Follower of Caspar Netscher (1639-1684) – Oil on canvas. Portrait of a Nobleman, standing small three-quarter-length, in armour, wearing the Order of Joanita and holding a commander’s baton. Provenance – Ex Collection Earl of Rosebery.
Large Mahogany 18th-Century Dial Clock, William Nicoll, London
The solid mahogany case has a moulded mahogany glazed door, which can be locked on the left-hand side. The original rectangular saltbox is permanently attached to the front and has doors to the side and the bottom.
19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque (1813-1894)
19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque (1813-1894) 1813 to 1894 England SOLDFollow Us19th-Century Study of a Cockerel and Three Hens Oil Painting on Walnut Panel Charles Emile Jacque...
William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes
The ebony-veneered case has a so-called domed top, a design which became popular in the Charles II period (from 1675 onwards). The case is adorned with repousse brass ornaments and rests on gilt-brass bun feet. It is surmounted by a brass carrying handle of typical shape.
17th-Century Ebony Veneered Table Clock with Alarm and Pull Quarter Repeat
A magnificent sprung driven table clock by respected London maker George Etherington. The late 17th century, ebony- veneered table clock with alarm and pull quarter repeat on two bells, signed on the chapter ring Etherington London, and on the backplate Geo Etherington LONDON, c. 1695-1700.
19th-Century Carriage Clock signed Charles Frodsham, London
The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.
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