William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes 1
William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes
William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes
1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London-sold
2 1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London
3 1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London
previous arrow
next arrow
1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London-sold
2 1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London
3 1 William-and-Mary-17th-century-ebony-veneered-bracket-clock-by-Jonathan-Lowndes-London
previous arrow
next arrow

William and Mary Ebony Veneered Bracket Clock by Johnathan Lowndes

1690 England

SOLD

Request Information

Follow Us

William and Mary Ebony Veneered Bracket Clock by Johnathan Lownde

The ebony-veneered case has a so-called domed top, a design which became popular in the Charles II period (from 1675 onwards). The case is adorned with repousse brass ornaments and rests on gilt-brass bun feet. It is surmounted by a brass carrying handle of typical shape. There are silk-backed pierced ebony sound frets to the front, whilst the sides are glazed.

The square brass dial has a silvered Roman chapter ring. In the corners are cast brass winged-cherub spandrels, whilst the matted centre has false pendulum and date apertures. The time is indicated by a pair of period pierced blued-steel hands on the black Roman chapter ring with half-our, quarter-hour, 7½-minute, Arabic five-minute and minute divisions.

The spring-driven, eight-day, twin gut-fusee movement has a going train with verge escapement and short pendulum with knife-edge suspension, enclosed by a lovely back-cock apron. The internal rack striking train indicates the hours on a bell. In addition, it has unusual pull quarter repeat on three bells, sounding all four quarters rather than three. The backplate is extremely finely engraved and signed by the maker within an engraved cartouche: Jonat Lowndes London.

Features
• Eight-day twin gut fusee movement
• Verge escapement
• Pull quarter repeat on three bells
• Square dial with silvered Roman chapter ring
• Cast brass winged-cherub spandrels
• Silk-backed pierced ebony sound frets to the front
• Glazed sides
• Strike/silent function
• Gilt brass ornaments, rests on bun feet

Signed/Inscribed
Jonat Lowndes London.

Condition

Excellent

Provenance

Private collection

Literature
Dimensions
Height40.00 cm(15.75 inches)

PREVIOUSLY SOLD

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

The gilt-brass, so-called corniche case has bevelled glass panels on all sides so that the movement is entirely visible. It is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

Louis XV Style French Lantern

Louis XV Style French Lantern

A superb large French brass lantern of Louis XV style, 19th century. The five light chandelier within a cylindrical lantern cast with scrolling acanthus, shells and vase-shaped finials with serpentine glazed panels, fitted for electricity.

19th-Century Carriage Clock signed Charles Frodsham, London

19th-Century Carriage Clock signed Charles Frodsham, London

The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

19th-Century Quarter-striking Carriage Clock by Leroy, Paris

The gilt-brass, so-called corniche case has bevelled glass panels on all sides so that the movement is entirely visible. It is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

Louis XV Style French Lantern

Louis XV Style French Lantern

A superb large French brass lantern of Louis XV style, 19th century. The five light chandelier within a cylindrical lantern cast with scrolling acanthus, shells and vase-shaped finials with serpentine glazed panels, fitted for electricity.

19th-Century Carriage Clock signed Charles Frodsham, London

19th-Century Carriage Clock signed Charles Frodsham, London

The so-called gorge case has its original gilding. It has bevelled glass panels on all sides so that the movement is entirely visible and is surmounted by a shaped carrying handle. The white enamel dial has a Roman chapter ring, with Arabic five-minute and minute divisions.

YOU MAY ALSO LIKE

Oil Painting of a Horse Standing Proud in Woodland

Oil Painting of a Horse Standing Proud in Woodland

Fine Art – Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream.

Queen Anne Walnut Corner Cupboard with Bevelled Mirror Plate

Queen Anne Walnut Corner Cupboard with Bevelled Mirror Plate

A truly remarkable find in original condition. To the door a shaped soft bevelled mirror plate is framed by a cross-grain molding of typical queen Anne design which is further cross-banded, feather-banded and edged to the opening with a single de-molding.

Oil Painting of a Horse Standing Proud in Woodland

Oil Painting of a Horse Standing Proud in Woodland

Fine Art – Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream.

Queen Anne Walnut Corner Cupboard with Bevelled Mirror Plate

Queen Anne Walnut Corner Cupboard with Bevelled Mirror Plate

A truly remarkable find in original condition. To the door a shaped soft bevelled mirror plate is framed by a cross-grain molding of typical queen Anne design which is further cross-banded, feather-banded and edged to the opening with a single de-molding.

FOLLOW US ON INSTAGRAM

Pin It on Pinterest